Überschuss Beweisen tragbar met opera reviews Brandy Anfänger Stapel
Met's slenderized “Cinderella” lighter on gentle charm than comedic camp
Metropolitan Opera 2021-22 Review: Rigoletto - Opera Wire
Lise Davidsen soars in Met Opera's delightful “Ariadne”
Review of 'Great Performances: The Opera House' | 2018-06-18 | Architectural Record
Met Opera: Roberto Devereux review – Man in Chair
Review: PORGY AND BESS at The Metropolitan Opera
Review: 'La Traviata' Opens a New Era at the Met Opera - The New York Times
Elektra/Der Rosenkavalier, Met Opera streaming review - strong hits and indulgent misses
Superb singing, stylish conducting lift Met's new “Rigoletto” out of the visual murk
Review: A Soprano's Sound Floods the Met in 'Ariadne' - The New York Times
Review Roundup: What Did Critics Think Of The Met Opera's RIGOLETTO?
Opera Review: “Eurydice” – Not a Love Story But a Father-Daughter Dirge - The Arts Fuse
OPERA NEWS - Eurydice
Review: Modern 'Lucia' at the Met Opera Brings in Younger Audiences | Observer
JAMES KARAS - REVIEWS AND VIEWS: TURANDOT – REVIEW OF 2019 LIVE FROM THE MET PRODUCTION
OPERA REVIEWS BY KARAS: TOSCA – REVIEW OF McVICAR'S LIVE FROM THE MET PRODUCTION
Met Opera: Don Carlo
Met Opera: Don Carlo review [2015] – Man in Chair
Personal Reviews – Flowing Prose
Review: After a Met Opera Milestone, 'Boris' Brings Another - The New York Times
Review of the Metropolitan Opera's 'A Concert for Ukraine' - The Tech Agents
Aleksandra Kurzak impresses as the Met's new Violetta | Bachtrack
Review: Met Opera plays for Ukraine, with anthems and flags - MCE Zone
Don Giovanni, Metropolitan Opera, New York — review | Financial Times
Review on Opera Wire: “One of the tensest scenes witnessed at the Met Opera all season. Barton displayed elegant legato throu… | Metropolitan opera, Opera, Sopranos
Review: 'Aida' Gives a Taste of the Met Opera's Bad Old Days - The New York Times
Review: The Metropolitan Opera's Eurydice Finds Fun in Hell